Food and wood are used to recruit early game units and construct simple buildings, whereas more formidable structures will require stone, and higher tier units will require bronze. The five different resources are food, wood, stone, bronze, and gold, which can be found within different regions to varying degrees of scarcity. Troy introduces a new multiple resource economy that reflects the advancing pre-monetary barter economy of the Bronze Age setting. Ī Trojan horse mechanic plays a major role within the campaign, appearing in the campaign at specific moments, and providing significant bonuses to players should it be acted upon quickly enough. Eight heroes are included in the game, such as the Greek champion- Achilles, and the Prince of Troy- Hector. Some heroes have an active battle ability called Divine Challenge, which taunts opposing characters into one-on-one combat. Hero versus hero combat has been implemented in Troy, wherein two fighting heroes will be given room by nearby units, creating a circular battle area and preventing other units from intervening. The Greek god Poseidon will play a major role in these battles. Īlthough there is little documentation of Bronze Age naval warfare, naval combat has been included in the form of island battles, inspired by that featured in Total War: Warhammer II – Curse of the Vampire Coast. Gaining favour with the different gods requires players to invest time or sacrifice resources, but also provides various benefits as the game progresses. The Greek gods featured in Troy can influence the game in similar ways to their Homeric counterparts, with their influence spanning entire factions, rather than directly intervening on the battlefield. It blends the Hellenic artistry of the Iliad with a real-world representation of the Bronze Age Mediterranean. The legendary setting also inspired the use of a romanticised art style for Troy, visible throughout the campaign overview and user interface.

For example, the game will feature historical representations of renowned mythological monsters, such as a hulking man wearing hides and a bull’s skull to evoke a Minotaur. This merging of source material provided the developers with their key design pillar, portraying a more accurate world that might have inspired the legendary accounts of this era. Ī unique approach was taken in regards to research, using both mythological sources such as Homer’s Iliad as well as historical data such as archaeological recordings and expert materials on the Bronze Age Collapse. This period is also rich in myth, legend, heroes and monsters, which allowed the developers to explore a variety of new ideas.

Unlike the major era Total War Games, the Total War Saga titles tend to focus on key flashpoints in history, often within a singular culture, meaning the 20-year Trojan War was an ideal choice of setting. Troy is a new period for Total War and is the furthest back the franchise has ever gone in history.

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