#Nikon macro lens d3200 manual#
#Nikon macro lens d3200 iso#
#Nikon macro lens d3200 free#

They're manual focus, heavy and clumsy to use, and far from point and shoot, but the tilt can increase depth of field dramatically. Nikon makes three different lengths of shift/tilt macro lenses. If you want absolutely maximum depth of field, you could of course go truly crazy and get a tilting lens. If you want your object to fade into blur at the extreme edges, open up your lens and lengthen your focal length. This is all assuming you want to maximize depth of field.

#Nikon macro lens d3200 free#

You will gain a great deal by shooting in RAW mode, which will allow you to use programs like View NX2 or Capture NX-D (both free from Nikon) to fine tune white balance and camera control (color set). Getting colors natural will be another challenge, depending on the light. If you have enough pixels to spare, cropping will give you the appearance of a longer lens without the DOF penalty. Again, depending on what compromises work best, consider increasing distance (for better depth of field) and then cropping the image back down to an apparent shorter distance. Normal (35 mm) perspective will look most natural. Telephoto will compress perspective, making all objects appear closer to the same size. Wide angles will exaggerate perspective making near objects much larger. This makes little difference if you shoot an object from a straight-on 90 degrees, but a great deal of difference as you lower the angle. You will also find that the apparent perspective changes. Those last two can pretty much cancel each other out, but you may find a sweet spot. Depth of field depends on three factors: aperture, focal length and distance. A bright image darkened will be quieter than a dark image brightened.Įxperiment with different zoom lengths.

#Nikon macro lens d3200 iso#

You can shoot in dim light too if you have a tripod, but digital noise will be less if you can keep your ISO low it's best if your image is bright. At close distances the lens may itself cast a shadow. On camera flash will put out plenty of light, but cast terrible shadows and harsh reflections. In general, though, you want lots of light and probably multiple sources to cut down on shadow, but the light must be fairly soft unless you are seeking reflection. A browse on the net may help to see what is out there. Many product photographers invest heavily in lights and color-free platforms for this. In other words, error a little on the close side. A general (very general) rule of thumb is to try to focus about 1/3 into your field. If you can keep aperture around f/8-11 you will have the best compromise between DOF and diffraction.ĭepth of field is greater behind the focus point than in front of it. You will have to decide for yourself how much overall softness you can accept in return for deeper depth of field. Smaller apertures will help, but above about f/11 you will begin to lose some clarity to diffraction and the overall image will soften. Shoot as close to 90 degrees as aesthetic considerations allow. If you're manually focusing, use the magnified live view and keep your movements very very small.ĭepth of field at close distances is very shallow. The main thing you will gain with a true macro lens, other than very close range and reduced distortion, is improved manual focusing precision. At its best, the D3200 lens will provide as much sharpness as the sensor can handle, so if your object is in its focal range and you can get good focus, you may need no other. AF might work better if you can aim it right. Its focus 'throw' is very short, and you must be very delicate. The kit lens is not happy to focus manually, but it can be done. You will probably need to put it on a tripod, turn off VR, and may have to focus manually. To begin with, the D3200 kit lens is pretty decent at close work, and though not a true 'macro' in range it gets close enough for most jewelry. I cannot now remember whether some of the jewelry shooters have posted back with results. You might look down into the older posts and see what has been discussed before. Many of the same rules would apply as those involving food and other products, except that you may want to isolate your product more, keep more of it in sharp focus, and will be fighting reflected light more.

Although I do not have any particular expertise in jewelry, many of the basic precepts of macro photography will apply.

This subject has come up a few times before.